jihadkhawaja/flstudio-mcp/create-flp-project

Create FLP Project

Procedure

1. Read the AI-first workflow.
2. Choose one execution mode for the task: MCP tools when the music2daw server is connected, otherwise the Music2DAW CLI. Use music2daw when the release bundle is installed; in a source checkout, use dotnet run --project src/Music2Daw.Cli -- in its place.
3. Inspect the proposed structural template with MCP inspect_flp or CLI music2daw inspect <template.flp>; never assume channel, pattern, PPQ, playlist IDs, or plugin behavior. Review pluginStateTextHints, isLikelySequenced, and sequenceRiskReason for every instrument channel.
4. Create a dedicated folder under projects/<song-slug>/ from templates/flp-project/.
5. Copy the structural FLP to base-template.flp. Never edit the original source or this local base in place.
6. Write song-brief.yaml before notes. Define title, concept, tempo, key, meter, sections, roles, and mix intent.
7. Write edit-request.json using zero-based IDs and project ticks. Replace every inherited note-bearing pattern/channel pair and replace the entire playlist so no prior composition remains.
8. Build with CLI:

``powershell music2daw edit <base-template.flp> <song.flp> <edit-request.json> ``

Or call MCP edit_flp with the same source, output, and deserialized request content. Keep edit-request.json as the source of truth in either mode.

1. Inspect the output and export its MIDI/manifest bundle with the same mode. Verify tempo, names, note counts, playlist count, plugin initialization and parameter hashes, and source immutability.
2. In a source checkout, run dotnet test. Then launch the resulting FLP for an audible check.
3. Record assumptions, execution mode, and limitations in the song README.

Composition Rules

• Compose original melodies and arrangements; do not imitate a named song or artist closely.
• Keep pitches in MIDI range 0-127, velocity 1-127, pan 0-127, and lengths positive.
• Derive bar length as PPQ * 4 for 4/4; do not hardcode 384 unless PPQ is 96.
• Give each instrument one clear role and leave register space between bass, harmony, lead, and accents.
• Do not assign a likely sequenced preset to chords, bass, lead, or counter-melody unless its internal rhythm is an intentional part of the composition. Prefer a state with a pitched/static preset hint for written note lines.
• Use section-level contrast through density, register, rhythm, and orchestration.
• Preserve opaque plugin states unless deliberately copying an existing state to another channel.